After a chance encounter on vacation, he brings to London a Shakespeare-loving “savage” named John from outside the tech bubble (he grew up untouched by modernity on an Indian reservation in New Mexico) who becomes even more distraught by what has happened to mankind. “Brave New World” is a satire set in a unified and peaceful 26th-century “World State” in which a frustrated London loner named Bernard Marx feels unease with the serene functionality of the ingeniously well-ordered society around him. It is still developing, taking on additional richness according to the times in which we read it. In many ways the book, which was published 80 years ago this winter, has become sci-non-fi. They also venerate a dead high-tech genius, saying “Ford help him” in honor of Henry Ford just as today we practically murmur “In Jobs We Trust.” They have access to “Feelies” similar to IMAX 3-D movies, no-strings-attached sex, anti-anxiety pills and abortion on demand. If Orwell’s “1984” is a cautionary tale about what we in the capitalist West largely avoided, Aldous Huxley’s “Brave New World” is largely about what we got - a consumerist, post-God happyland in which people readily stave off aging, jet away on exotic vacations and procreate via test tubes.
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